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Having dreams can sustain you - give you something to believe in - but the weight of expectation, the burden of reality can also mean that such dreams can become oppressive; they can just as easily shatter you. Denmark’s MØL explore the dichotomy of such dreams on their latest album, DREAMCRUSH, due for release via Nuclear Blast on January 30, 2026.

 

Following on from the critically acclaimed Jord (2019) and Diorama (2021), MØL’s latest opus sees their sound continue to evolve as they embrace new horizons - as a band and as individuals. With recurring themes within the album being finding a home for and within yourself, it stands to reason that this iteration of MØL steps up to the plate with a new found confidence, an air of acceptance, and renewed vigour.

 

Presenting DREAMCRUSH as a textural and emotional map, MØL invite listeners to explore as they wish, uncovering landmarks and traversing familiar feelings as they go. Informed by a series of disparate life events, the eleven tracks that make up the album are a tapestry of emotions, stitched together with threads of experiences that criss-cross over time and place. MØL offer the opportunity to worship at whatever psychic temple resonates the most.

 

Drawing influence from the likes of My Bloody Valentine, Cocteau Twins and Smashing Pumpkins, MØL pull a gossamer veil over their sharpest, most jagged edges whilst channeling big alt-rock hooks. Steeping even their most aggressive moments in melody creates an emotional dynamic that is the post-rock foundation for their most explosive sonic expressions to date. Loss and grief become focal points yet the band are at pains to make it clear this is not a bleak album, rather it speaks to the joy and possibility of pursuing an idea, and of reconciliation at the place where dreams and reality meet. When life’s central pillars are shaken - or taken away completely - a new landscape is revealed.

 

Recording took place over several months in the studio of Frederik Uglebjerg, local to the band in Aarhus. This stretched-out approach to the process meant that they could reshape the album as they went along, ensuring they were creating exactly what they had envisioned. Lyrics and vocals also evolved throughout the recording process with vocalist Kim Song Sternkopf literally and figuratively finding his voice in new ways. DREAMCRUSH sees his most broad and confident performance as he embraces his baritone register. The effect is augmented by guitar solos courtesy of Nicolai Busse that elevate the emotional voyage of discovery.

 

With lyrics that are presented both in Sternkopf’s native Danish as well as at other times in English, this signals a further inner exploration - of taking the mask off, re-evaluating oneself, and revealing the authentic self. Sternkopf revisits past events through a newer lens provided by a greater understanding of his neurodiversity. Whilst he describes MØL’s live performance as a purging room, a confessional ritual, the recordings of these existential thoughts have a considered, self-aware tone to them.

MØL draw influence from Schopenhauer's pessimistic vision, following his account of the inner nature of the world as aimless, blind striving; the will has no goal or purpose, the individuals’ will towards satisfaction is impossible. MØL determine that the context of dreams, and the context of an embrace - both capable of being loving, joyful, destructive or violent - is essential to greater understanding. The somewhat abstract artwork, inspired by Emil Nolde and created by Daniel Owen, further enhances this concept.

 

In amongst clouds of unfathomable loss and grief, DREAMCRUSH offers rays of almost unbearable hope - the option to keep on dreaming despite ourselves.

 

 Line Up:
Nicolai Busse Bladt - Guitar
Ken Lund Klejs - Drums
Holger Frost - Bass
Sigurd Kehlet- Guitar
Kim Song Sternkopf - Vocals