Green Lung

Beyond the cities and motorways of modern Britain, away from the influence of its Christian churches and cathedrals, lies another country. An older, stranger country. A country of lonely tors and desolate moors, of forgotten woods and mysterious standing stones. You are about to embark on a journey into occult Albion.

Come. It’s time to explore this heathen land…

GREEN LUNG are a cult band in every sense of the word. Formed in London in 2017, their first two records Woodland Rites (2019) and Black Harvest (2021) brought a folk horror sensibility to occult rock, attracting a fanatical following in their native UK and beyond, and resulting in international tours with the likes of Clutch, festival performances from Roadburn to Bloodstock to Download, and a record deal with the world’s biggest independent heavy metal label Nuclear Blast Records. 

Now, two years after the release of the critically acclaimed Black Harvest, the band have unveiled their most ambitious offering yet. This Heathen Land is the most complete manifestation of the band’s vision to date, fulfilling their long-held goal to, in the words of vocalist Tom Templar, “create the definitive soundtrack to the folk horror film in our heads.”

On This Heathen Land, the band have forged a sound and identity that is entirely their own, while maintaining the Sabbathian heaviness and addictive songcraft which made their previous albums so beloved in the metal underground. From the cover art to the vinyl inserts and lyrical themes, This Heathen Land is a painstakingly-researched and executed heavy metal love letter to the folkloric landscape of the UK.

“Perhaps unsurprisingly, I’ve had the classic Reader’s Digest book Folklore, Myths and Legends of Britain by my bedside since childhood” says Templar. “With this album I wanted to conjure the experience of reading that book in sonic form - to take listeners on a journey into the weird world of British folklore, into the woods and over the mountains and onto the moors, and to inspire them to see the magic that’s still out there, if you use a little imagination.”

Working with producer/engineer Wayne Adams at Bear Bites Horse Studio once more, and now with Tom Dalgety (Opeth, Clutch, Ghost) on mixing duties, the band looked to classic albums produced by Martin Birch for sonic inspiration:

“There’s something very special about the records Birch produced in the late 70s and early 80s. Albums such as Sabbath’s Mob Rules and Rainbow’s Rising were made at a time before metal had become quite so codified; when it could still be eccentric and experimental, yet musical and accessible. With This Heathen Land, we wanted to make a record that pays homage to those classic records while adding a modern sensibility and musicality” says guitarist Scott Black.

This is reflected in the production of the record, which harks back to the maximalist bombast of Queen while maintaining a raw, authentic heaviness that reflects the band’s crushing live sound and Sabbathian roots. While the searing Hammond organs remain, the production also marks a development in the band’s sound-world:

“It was incredibly important to us that the sound of the album cohered with the imagery and themes, which is why we spent so long painstakingly recreating the sort of synthscapes that soundtracked the weird, haunting vintage TV documentaries that the album draws inspiration from” said Black.

The album is steeped in an atmosphere that evokes the BBC Radiophonic Workshop as well as synthesizer pioneers such as Wendy Carlos and the early works of bands like Goblin:

“These were soundtracks that were defined by their budgetary and technological limitations as much as anything,” continues Black. “Today, in a time of limitless instrumental VSTs, it was a refreshing creative challenge to have to think about arranging music for an assembly of (mostly broken) era-specific monosynths”